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Library and Archives
The Aldine Press
2015 marks the 500th anniversary of Aldus Manutius' death. His Aldine Press revolutionised printing with innovations like smaller books, italic type, and the semicolon. Magdalene holds key works.
This rare 1629 miniature edition of La Divina Comedìa is the only copy in Oxbridge colleges. Published in Venice by Niccolò Misserini, it includes Dante’s life and microscopic italics.
This blog explores Tudor history in the College's special collections, featuring Henry VIII's Assertio septem sacrameto and references to Foxe's Book of Martyrs.
Pepys collected 1,800 broadside ballads, offering insight into 17th-century life. His collection, a valuable scholarly resource, is available online through the English Broadside Ballad Archive.
Pepys collected unique chapbooks, small popular publications from the 17th century. His collection, including rare titles like ‘The Gentlewomans Delight in Cookery’, offers insight into the period.
Pepys collected prints, drawings, and etchings, including works by Rembrandt. His collection offers rare early impressions, shedding light on 17th-century print collecting practices.
Magdalene’s copy of the Plantin Press Biblia Polyglotta was donated by alumnus Richard Hollinworth, a key 17th-century figure in Manchester’s religious and literary circles.
Professor Ezra Zubrow donates his Arctic Anthropology article tracing a fragment of Lapp culture from the 1670s as it drifts through Europe into Anglo-American society.
An exchange of letters between Dryden and Pepys, bound in Fables Ancient and Modern, reveals their Cambridge link and Pepys' suggestion behind Dryden’s “Good Parson” translation.
Magdalene intern Puneeta Sharma reflects on housing the Ferrar Prints and four inspiring conservation visits across Cambridge, finishing with a fun (if slightly chaotic) punting debut.
Magdalene’s Paper Conservation Intern, Puneeta Sharma, used advanced techniques at the Fitzwilliam Museum to clean, repair and line fragile 17th-century Ferrar prints for preservation.